10 – Indian Music Systems – Harmony

10 – Indian Music Systems – Harmony

There is a general feeling that Indian classical music is all about melody and not about harmony. However, this is not strictly true. Both Hindustani and Carnatic music have a drone accompanying the performers. The primary function of the drone is to establish the tonic, Sa (since Indian music can use any note as the tonic) and make sure that the performers do not stray from this tonic. Indian drones (called the tanpura) normally play the tonic (in two octaves), the dominant and/or fourth. So, Sa, Pa, Sa or Sa, Ma, Sa or Sa, Ma, Pa, Sa. Though the primary function of the drone is to establish the tonic, it also serves as a background stringed instrument (the tanpura almost functions like a very simple rhythm guitar or bass guitar). A singer’s vocalisations and other instruments’ notes do establish a consonance with the notes of the drone. For instance, in Carnatic music, voice and the violin, in Hindustani, voice and the harmonium etc.

NA Jairzabhoy in his The Rags of North Indian Music has a full chapter on the role of drones in Indian music and how they create consonance and dissonance between the drones and the main instrument. Very interesting discussion.

Visit the following pages for notes on particular elements of music.

2 – Western Music Systems – Notes

3 – Western Music Systems – Scales

4 – Western Music Systems – Pulse, beat, metre, rhythm and tempo

5 – Western Music Systems – How scales are used to compose music (Melody and Harmony)

6 – Western Music Systems – An example of a piece of music

7 – Indian Music Systems – Notes

8 – Indian Music Systems – Scales

9 – Indian Music Systems – Ragas

10 – Indian Music Systems – Harmony

11 – Indian Music Systems – Tala

12 – Indian Music Systems – Decorative Elements

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